strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info
strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info
strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info
strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info
strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info
strangebiology:


As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 
This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.
Zoom Info

strangebiology:

As millions of years pass, fish build on their basic design. The muscles around their backbone evolve into a powerful tail and fins appear. They evolve a distinct head. He may not look like you or I, but this odd fish is becoming a blueprint for our own bodies. 

Walking with Dinosaurs was popular enough to inspire a stage performance, many spin-offs, and now a re-make. My favorite of these is the prequel Walking with Monsters: Life Before Dinosaurs. It is a 3-part series that tells the tale of evolution and life in the Paleozoic. 

This is how we went from simple little swimming creatures to taking our first steps on land. A glorious moment in history.

realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.
And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.
Zoom Info
realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.
And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.
Zoom Info
realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.
And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.
Zoom Info
realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.
And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.
Zoom Info
realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.
And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.
Zoom Info

realmonstrosities:

rashaka:

hockpock:

qualiachameleon:

rocketumbl:

Theo Jansen  Strandbeest

Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.

these are both amazing and COMPLETELY TERRIFYING

i’m unreasonably freaked out and disturbed by these

Is this in some kind of uncanny valley?? It’s like an uncanny Communist march or something.

And for some reason I can’t help but imagine these things eternally striding across a barren, lifeless world.

lindahall:

Elizabeth Gould - Scientist of the Day
Elizabeth Gould, an English artist, was born July 18, 1804. In 1829, she married John Gould, an up-and-coming ornithologist, and Elizabeth immediately became the official family draughtswoman, finishing John’s rough drawings and executing the lithographs for the Century of Birds from the Himalaya Mountains (1830-32), and The Birds of Europe (1833-37). Although John gave Elizabeth full artistic credit in the Century, he became increasingly reluctant to share the limelight in later publications, so that, for example, Elizabeth receives almost no acknowledgement in the bird volume of Darwin’s Zoology of the Beagle (1841), although she did all the drawings and lithographs.
Elizabeth went to Australia with John in 1838 (leaving her 3 youngest children behind) and spent two years there, capturing the local birds and mammals on paper. John and Elizabeth returned to England in 1840, but sadly, Elizabeth died of puerperal fever in 1841, after giving birth to their eighth child. She was only 37 years old. All of her Australian paintings were lithographed and eventually published in such volumes as The Mammals of Australia (1863), but she received no credit at all for these posthumous publications.
The images show the crimson horned pheasant from Century of Birds, the blue roller from Birds of Europe, and the cactus finch from the Zoology of the Beagle,as well as a portrait of Elizabeth in a private collection.
Elizabeth was one of 12 women artists featured in the Library’s 2005 exhibition, Women’s Work. All of the volumes mentioned here are in the Library’s History of Science Collection.
Dr. William B. Ashworth, Jr., Consultant for the History of Science, Linda Hall Library and Associate Professor, Department of History, University of Missouri-Kansas City
Zoom Info
lindahall:

Elizabeth Gould - Scientist of the Day
Elizabeth Gould, an English artist, was born July 18, 1804. In 1829, she married John Gould, an up-and-coming ornithologist, and Elizabeth immediately became the official family draughtswoman, finishing John’s rough drawings and executing the lithographs for the Century of Birds from the Himalaya Mountains (1830-32), and The Birds of Europe (1833-37). Although John gave Elizabeth full artistic credit in the Century, he became increasingly reluctant to share the limelight in later publications, so that, for example, Elizabeth receives almost no acknowledgement in the bird volume of Darwin’s Zoology of the Beagle (1841), although she did all the drawings and lithographs.
Elizabeth went to Australia with John in 1838 (leaving her 3 youngest children behind) and spent two years there, capturing the local birds and mammals on paper. John and Elizabeth returned to England in 1840, but sadly, Elizabeth died of puerperal fever in 1841, after giving birth to their eighth child. She was only 37 years old. All of her Australian paintings were lithographed and eventually published in such volumes as The Mammals of Australia (1863), but she received no credit at all for these posthumous publications.
The images show the crimson horned pheasant from Century of Birds, the blue roller from Birds of Europe, and the cactus finch from the Zoology of the Beagle,as well as a portrait of Elizabeth in a private collection.
Elizabeth was one of 12 women artists featured in the Library’s 2005 exhibition, Women’s Work. All of the volumes mentioned here are in the Library’s History of Science Collection.
Dr. William B. Ashworth, Jr., Consultant for the History of Science, Linda Hall Library and Associate Professor, Department of History, University of Missouri-Kansas City
Zoom Info
lindahall:

Elizabeth Gould - Scientist of the Day
Elizabeth Gould, an English artist, was born July 18, 1804. In 1829, she married John Gould, an up-and-coming ornithologist, and Elizabeth immediately became the official family draughtswoman, finishing John’s rough drawings and executing the lithographs for the Century of Birds from the Himalaya Mountains (1830-32), and The Birds of Europe (1833-37). Although John gave Elizabeth full artistic credit in the Century, he became increasingly reluctant to share the limelight in later publications, so that, for example, Elizabeth receives almost no acknowledgement in the bird volume of Darwin’s Zoology of the Beagle (1841), although she did all the drawings and lithographs.
Elizabeth went to Australia with John in 1838 (leaving her 3 youngest children behind) and spent two years there, capturing the local birds and mammals on paper. John and Elizabeth returned to England in 1840, but sadly, Elizabeth died of puerperal fever in 1841, after giving birth to their eighth child. She was only 37 years old. All of her Australian paintings were lithographed and eventually published in such volumes as The Mammals of Australia (1863), but she received no credit at all for these posthumous publications.
The images show the crimson horned pheasant from Century of Birds, the blue roller from Birds of Europe, and the cactus finch from the Zoology of the Beagle,as well as a portrait of Elizabeth in a private collection.
Elizabeth was one of 12 women artists featured in the Library’s 2005 exhibition, Women’s Work. All of the volumes mentioned here are in the Library’s History of Science Collection.
Dr. William B. Ashworth, Jr., Consultant for the History of Science, Linda Hall Library and Associate Professor, Department of History, University of Missouri-Kansas City
Zoom Info
lindahall:

Elizabeth Gould - Scientist of the Day
Elizabeth Gould, an English artist, was born July 18, 1804. In 1829, she married John Gould, an up-and-coming ornithologist, and Elizabeth immediately became the official family draughtswoman, finishing John’s rough drawings and executing the lithographs for the Century of Birds from the Himalaya Mountains (1830-32), and The Birds of Europe (1833-37). Although John gave Elizabeth full artistic credit in the Century, he became increasingly reluctant to share the limelight in later publications, so that, for example, Elizabeth receives almost no acknowledgement in the bird volume of Darwin’s Zoology of the Beagle (1841), although she did all the drawings and lithographs.
Elizabeth went to Australia with John in 1838 (leaving her 3 youngest children behind) and spent two years there, capturing the local birds and mammals on paper. John and Elizabeth returned to England in 1840, but sadly, Elizabeth died of puerperal fever in 1841, after giving birth to their eighth child. She was only 37 years old. All of her Australian paintings were lithographed and eventually published in such volumes as The Mammals of Australia (1863), but she received no credit at all for these posthumous publications.
The images show the crimson horned pheasant from Century of Birds, the blue roller from Birds of Europe, and the cactus finch from the Zoology of the Beagle,as well as a portrait of Elizabeth in a private collection.
Elizabeth was one of 12 women artists featured in the Library’s 2005 exhibition, Women’s Work. All of the volumes mentioned here are in the Library’s History of Science Collection.
Dr. William B. Ashworth, Jr., Consultant for the History of Science, Linda Hall Library and Associate Professor, Department of History, University of Missouri-Kansas City
Zoom Info

lindahall:

Elizabeth Gould - Scientist of the Day

Elizabeth Gould, an English artist, was born July 18, 1804. In 1829, she married John Gould, an up-and-coming ornithologist, and Elizabeth immediately became the official family draughtswoman, finishing John’s rough drawings and executing the lithographs for the Century of Birds from the Himalaya Mountains (1830-32), and The Birds of Europe (1833-37). Although John gave Elizabeth full artistic credit in the Century, he became increasingly reluctant to share the limelight in later publications, so that, for example, Elizabeth receives almost no acknowledgement in the bird volume of Darwin’s Zoology of the Beagle (1841), although she did all the drawings and lithographs.

Elizabeth went to Australia with John in 1838 (leaving her 3 youngest children behind) and spent two years there, capturing the local birds and mammals on paper. John and Elizabeth returned to England in 1840, but sadly, Elizabeth died of puerperal fever in 1841, after giving birth to their eighth child. She was only 37 years old. All of her Australian paintings were lithographed and eventually published in such volumes as The Mammals of Australia (1863), but she received no credit at all for these posthumous publications.

The images show the crimson horned pheasant from Century of Birds, the blue roller from Birds of Europe, and the cactus finch from the Zoology of the Beagle,as well as a portrait of Elizabeth in a private collection.

Elizabeth was one of 12 women artists featured in the Library’s 2005 exhibition, Women’s Work. All of the volumes mentioned here are in the Library’s History of Science Collection.

Dr. William B. Ashworth, Jr., Consultant for the History of Science, Linda Hall Library and Associate Professor, Department of History, University of Missouri-Kansas City

reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info
reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.
Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told
"If you want representation then make it yourself and shut up about this!"
“Let the artist make whatever they want and include whoever they want! Freedom of expression!”
"If you need to see someone who looks like you in order to feel included then you are the real racist."
Yet all I see in the notes are:
"If you want equality you have to include EVERYONE including white girls and guys!"
“it’s pathetic that the only way you can feel good about yourself is by excluding others.”
No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.
~Eon
Zoom Info

reverseracism:

lifandiveira:

riverclans:

lifandiveira:

asieybarbie:

ignore anyone who tells you otherwise.

No white girls?

no

Why? You do t think white girls should be told they’re beautiful?

The amount of white whine in the notes…it’s ridiculous.

Every time we ask for the inclusion of young girls and women of color in pieces similar to this, where everyone is white, we’re told

"If you want representation then make it yourself and shut up about this!"

“Let the artist make whatever they want and include whoever they want! Freedom of expression!”

"If you need to see someone who looks like you in order to feel included then you are the real racist."

Yet all I see in the notes are:

"If you want equality you have to include EVERYONE including white girls and guys!"

“it’s pathetic that the only way you can feel good about yourself is by excluding others.”

No doubt they feel some type of way with their own bodies but what is dedicating a piece such as this to women who fall no where near the Eurocentric standards of beauty taking away from white women when they have so much representations and campaigns centered around them.

~Eon

New Sign Language Restaurant Only Takes Orders In American Sign Language

"Brilliant idea alert: later this month, a new restaurant will be opening up in Toronto called “Signs” on 558 Yonge Street, which promises to be Canada’s first “deaf” restaurant where customers are asked to order their dinners using only American Sign Language.

Staffed primarily by deaf servers, the restaurant hopes to provide “a kind of community service for a deaf population that often struggles to find employment in a speech-oriented workforce,” reports The Star.”

shingekinokyojinheaven:

mcry:

there was a monarch butterfly outside with a torn wing and i thought it was dead so i went to pick it up off the ground with a flower but it began to hurriedly clutch onto it trying to drink something. it was totally trembling; it had a gash on it’s body and i knew it was dying but i couldn’t bring myself to kill it, so i googled a monarch’s favourite food and it ended up being mandarins. he literally devoured as much as he could before dying and i buried him outside my window.

You’re a good person
Zoom Info
shingekinokyojinheaven:

mcry:

there was a monarch butterfly outside with a torn wing and i thought it was dead so i went to pick it up off the ground with a flower but it began to hurriedly clutch onto it trying to drink something. it was totally trembling; it had a gash on it’s body and i knew it was dying but i couldn’t bring myself to kill it, so i googled a monarch’s favourite food and it ended up being mandarins. he literally devoured as much as he could before dying and i buried him outside my window.

You’re a good person
Zoom Info

shingekinokyojinheaven:

mcry:

there was a monarch butterfly outside with a torn wing and i thought it was dead so i went to pick it up off the ground with a flower but it began to hurriedly clutch onto it trying to drink something. it was totally trembling; it had a gash on it’s body and i knew it was dying but i couldn’t bring myself to kill it, so i googled a monarch’s favourite food and it ended up being mandarins. he literally devoured as much as he could before dying and i buried him outside my window.

You’re a good person